The third stage of Lil Wayne’s illustrious career has been set: from goon, to goonie, to gooniest.”
If Lil Wayne can be identified through one fixed lens, it’s through his free-associative style — his calling card for the better part of fifteen odd years. Within the depths of his touched brain exists an endless source of unexpressed ideas. Over time those ideas have come to fruition, often times by accidental “discharge.”
Many of the Weezy lyrics we cherish the most could be easily confused for child’s play if read under different lines, like a Picasso painting perceived to be chaotic and senseless in the eyes of a joyless person. On a superficial level, Weezy’s overriding desire to be a skateboarder would suffice in explaining his youthful demeanor, but his playfulness, especially when expounded as a musical idea, becomes observable the more time you spend around his work. Our very own Mitch Findlay opened the discussion by referring to Wayne’s comeuppance as the mercurial handling of a “Kid Genius.”
Weezy’s non-compliance to perceived adulthood allows him to occupy whatever ground he so covets. There is, however, a cost that comes with such boundless territory: the narrative tone of a passage or lack thereof (from a lyrical perspective). But in his defense, Weezy doesn’t create tone by driving home an overcooked idiom. Lines like “my goonie goons the gooniest, run inside your room and kill you and who you rooming with,” tickle your brain with unexpectedness; even Wayne was likely surprised by the unrehearsed outcome of “Let It Fly,” and that turn of phrase in particular.
Many of the Weezy lyrics we cherish the most could be easily confused for child’s play if read under different lines, like a Picasso painting perceived to be chaotic and senseless in the eyes of a joyless person. On a superficial level, Weezy’s overriding desire to be a skateboarder would suffice in explaining his youthful demeanor, but his playfulness, especially when expounded as a musical idea, becomes observable the more time you spend around his work. Our very own Mitch Findlay opened the discussion by referring to Wayne’s comeuppance as the mercurial handling of a “Kid Genius.”
Weezy’s non-compliance to perceived adulthood allows him to occupy whatever ground he so covets. There is, however, a cost that comes with such boundless territory: the narrative tone of a passage or lack thereof (from a lyrical perspective). But in his defense, Weezy doesn’t create tone by driving home an overcooked idiom. Lines like “my goonie goons the gooniest, run inside your room and kill you and who you rooming with,” tickle your brain with unexpectedness; even Wayne was likely surprised by the unrehearsed outcome of “Let It Fly,” and that turn of phrase in particular.